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“But once you’re inhouse, you take ownership of everything, from the big to the small.” Sony/ATV leads a music-publishing industry drive to convince the Justice Department to allow publishers to negotiate music deals directly while also assigning other transactions to outside performing rights organizations.

“The market will set the price in a fair way through direct negotiations,” says Brodsky.

According to follows the 25-year-old black man named Atticus Turner who ventures across 1950s Jim Crow America to find his missing father. The series has been described as “an anthological horror series that reclaims genre storytelling from the African-American perspective”.

The journey sees Atticus, aloof with childhood friend Letitia and his Uncle George overcome “both the racist terrors of white America and malevolent spirits”, the book having been inspired by H. remake has been somewhat talked down, the director saying: “Do I want to do pre-existing material, or do I want to do original content?

It’s time to take a look ahead to a fresh, shiny new 12 months of movies.

From big blockbusters to indie dramas and comedies, here is our essential guide to the films you'll be watching in 2016.

It’s the start of the year, which means that several films already out in the US finally pull up on UK shores.

But since it’s still awards season, there are some gems to be found.

Alas, any stereotyping to be had is found on the other side of this tale of two sisters.

However his biggest deal was not for a project, but for a company: Amblin Partners, co-founded by Steven Spielberg and Participant founder Jeff Skoll, along with Reliance Entertainment and Entertainment One.

“At a firm, you deal with some really large transactions for multiple clients,” says Brakin, who began his career doing transactional work for O’Melveny & Myers.

Into the fray arrives “Jane Wants a Boyfriend,” a sweetly-intentioned though somewhat awkwardly structured spin on a Hallmark Channel-style dramedy that strives to shed light on the disorder from a female perspective.

It is clearly filled with good intentions, with a script inspired by real-life events and a reliance on rehearsals for a theatrical production of “A Midsummer Night’s Dream” to add thematic texture.

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